Notes: An attempt for an orchestral backing for showtunes. I use this for ``I Loved You Once In Silence'' from ``Camelot''. Lots of strings and no drumkit.
Author: Bob van der Poel
Description: Add trumpets and plucked strings.
| SeqSize: 4 | Time (beats per bar): 4 |
Variables
| ExtraVoice | Voice for the alternating arpeggios in ShowTune2 (Default=TubularBells). | ExtraOctave | Octave for ExtraVoice (Default=6). |
Track Name: Arpeggio-Horn
| Voice/Tones: FrenchHorn | Articulate: 90 |
| Unify: 0 | Octave: 5 |
| Volume: 70 | Harmony: None OPEN None 3 |
| Rskip: 20 | Rvolume: 0 |
| Rtime: 0 | SeqRND: Off |
| Strum: None |
Track Name: Arpeggio-Piz
| Voice/Tones: PizzicatoString | Articulate: 90 |
| Unify: 0 | Octave: 5 |
| Volume: 70 | Harmony: OPEN |
| Rskip: 20 | Rvolume: 0 |
| Rtime: 0 | SeqRND: Off |
| Strum: None |
Track Name: Arpeggio-Trumpet
| Voice/Tones: Trumpet | Articulate: 90 |
| Unify: 0 | Octave: 5 |
| Volume: 70 | Harmony: OPENBELOW |
| Rskip: 40 | Rvolume: 0 |
| Rtime: 0 | SeqRND: Off |
| Strum: None |
Track Name: Bass-Guitar
| Voice/Tones: AcousticBass | Articulate: 110 |
| Unify: 0 | Octave: 3 |
| Volume: 100 | Harmony: None |
| Rskip: 0 | Rvolume: 0 |
| Rtime: 2 | SeqRND: Off |
| Strum: None |
Track Name: Bass-Timp
| Voice/Tones: Timpani | Articulate: 90 |
| Unify: 0 | Octave: 3 |
| Volume: 40 | Harmony: None |
| Rskip: 0 | Rvolume: 0 |
| Rtime: 0 | SeqRND: Off |
| Strum: None |
Track Name: Chord-Flute
| Voice/Tones: Flute | Articulate: 100 |
| Unify: True | Octave: 5 |
| Volume: 8 | Harmony: None |
| Rskip: 0 | Rvolume: 0 |
| Rtime: 0 | SeqRND: Off |
| Strum: None | Voicing: OPTIMAL |
Track Name: Chord-Piz
| Voice/Tones: PizzicatoString | Articulate: 90 |
| Unify: 0 | Octave: 5 |
| Volume: 40 | Harmony: None |
| Rskip: 20 | Rvolume: 0 |
| Rtime: 0 | SeqRND: Off |
| Strum: None | Voicing: None |
Track Name: Chord-String
| Voice/Tones: Strings | Articulate: 100 |
| Unify: True | Octave: 5 |
| Volume: 20 | Harmony: None |
| Rskip: 0 | Rvolume: 0 |
| Rtime: 0 | SeqRND: Off |
| Strum: None | Voicing: OPTIMAL |